Post by Tomie Magahara on Dec 30, 2016 17:59:25 GMT -5
Ever since the dare, the day where she had been lured out of Higashiyama, she had been coming more and more out to the general areas of the city she now thinks of as both prison and home. In fact, she has taken a break from the dogmatic routines she had facilitated back in the relic of what is clearly bygone times to the population of Kyoto. No, she would go as far as saying this applies most denizens of Earth, given the complete apparent lack of surprise elicited from the few outsiders she spots. Most are lumped in abhorrent groups of gawking individuals, slinking down the streets as amorphous blobs of flashes and cacophony. The few loners she spots stand out like sore thumbs among the majority which comprises the crowd. Uniform hair color, uniform eyes, uniform obedience; they are one ethnicity, which leaves her pleased. At least the legacy of her people is still apparent in the skin of the successors.
But she has little interest in the culture they seem to have construed. Tomie does, in fact, mostly harbor resentment towards how they have seemingly discarded the traditional ways of life in order to make room for something so foreign. Perhaps that is I, though, her thoughts conspire against her, with a slightly humorous quip. An alien from Edo.
While she does have a rather distinct distaste for the apparent egalitarianism having sprouted here, in addition to how they act and dress, the sense of wonder over how these clearly inferior creatures have managed to design the metallic trees and more importantly, whatever contraptions they use for transportation. Since there is no one around to judge her or even detect her presence, the former madam is free to stand by the roads to marvel at these inventions and ponder whether they are a source of ingenuity or just magic.
Granted, as her conversation with Hanabi had shown, even magic has some sort of machinations to fuel the spell. As such, there should definitely be a manner which would allow her to discern just how these metal beasts operate.
Especially fascinating are the long chains of rooms containing seats and some sort of overhead cabinets for their luggage. They move at blistering speeds and are designed to be jam-packed while doing so. All of them seem to have the same 'head' of sorts, with narrow eyes and a pronounced snout, like a cow. The feel of the area is just about claustrophobic as well, inducing a nice suction in the abdomen while being surrounded by a sea of passengers undulating towards their designated rooms. Sometimes, these uniform-clad men would drop by only to shove the doors shut. Shinkansen, she believes these to be called.
It is all a most boggling process to the woman. Hence why she has a tendency to drop by as frequently as she can, petting a cawing corvid resting on her arm, muttering sweet nothings and unsolicited opinions to him.
Today is such a day. She had eaten two pomegranates and a cantaloupe for lunch, washing it down with a few cups of water--god, she misses sake--before heading down to the track this morning, with intent to stare and judge bystanders.
"That woman sure is fat," she nods towards the bird on her shoulder, which has tucked its beak beneath the wing to clean, while gesticulating in the direction of a particularly rotund female with a pastry in her hand. Vague associations leap through neurons and memories into an image of a bushy-haired woman joyously consuming mochi slathered in sauce.
She looks over to a different person, this time a man dressed in what appears to be robes. "I don't think that is supposed to be a yukata," her tongue lulls against the barbed palate, wry and condescending all the same. "He really should see a tailor. Am I wrong, Yatagarasu?" She looks into the third eye atop the bird's cranium, receiving a dull blink as a response while it cocks its head.
Prying into the same crowd over again, her eyes settle on someone whose outward appearance makes a very distinct suggestion of not belonging here; blonde hair, distinctly round eyes, a unique--that is the kindest word she can think of--attire and a body language that seems less apologetic than those of Tomie's genetic cousins. "What a curious individual," she mouths to the crow, leaning in intimately near the crow's head. He snaps his beak in response, maintaining a gaze upon her just as his master does.
But unlike just about every other individual on this congregation for transportation, this particular girl's eyes seem fixed on her as if she is visible where she stands, towering above the crowd. Ever since her encounter with Aauin, the woman has been more wary of individuals with eyes shifted in her direction for longer than a few seconds.
Perhaps I should put this hypothesis to the test.
She glides through the masses, stomping defiantly through the people in her way with massive wooden shoes and flowing robes like the ghost she truly is, stealing glances from the potential pursuer before ceasing movement on the outskirts of the platform. Had she been following? Coyly, she turns to the bird again, letting him perch on her shoulder. "Yatagarasu, I think we might get company today."
But she has little interest in the culture they seem to have construed. Tomie does, in fact, mostly harbor resentment towards how they have seemingly discarded the traditional ways of life in order to make room for something so foreign. Perhaps that is I, though, her thoughts conspire against her, with a slightly humorous quip. An alien from Edo.
While she does have a rather distinct distaste for the apparent egalitarianism having sprouted here, in addition to how they act and dress, the sense of wonder over how these clearly inferior creatures have managed to design the metallic trees and more importantly, whatever contraptions they use for transportation. Since there is no one around to judge her or even detect her presence, the former madam is free to stand by the roads to marvel at these inventions and ponder whether they are a source of ingenuity or just magic.
Granted, as her conversation with Hanabi had shown, even magic has some sort of machinations to fuel the spell. As such, there should definitely be a manner which would allow her to discern just how these metal beasts operate.
Especially fascinating are the long chains of rooms containing seats and some sort of overhead cabinets for their luggage. They move at blistering speeds and are designed to be jam-packed while doing so. All of them seem to have the same 'head' of sorts, with narrow eyes and a pronounced snout, like a cow. The feel of the area is just about claustrophobic as well, inducing a nice suction in the abdomen while being surrounded by a sea of passengers undulating towards their designated rooms. Sometimes, these uniform-clad men would drop by only to shove the doors shut. Shinkansen, she believes these to be called.
It is all a most boggling process to the woman. Hence why she has a tendency to drop by as frequently as she can, petting a cawing corvid resting on her arm, muttering sweet nothings and unsolicited opinions to him.
Today is such a day. She had eaten two pomegranates and a cantaloupe for lunch, washing it down with a few cups of water--god, she misses sake--before heading down to the track this morning, with intent to stare and judge bystanders.
"That woman sure is fat," she nods towards the bird on her shoulder, which has tucked its beak beneath the wing to clean, while gesticulating in the direction of a particularly rotund female with a pastry in her hand. Vague associations leap through neurons and memories into an image of a bushy-haired woman joyously consuming mochi slathered in sauce.
She looks over to a different person, this time a man dressed in what appears to be robes. "I don't think that is supposed to be a yukata," her tongue lulls against the barbed palate, wry and condescending all the same. "He really should see a tailor. Am I wrong, Yatagarasu?" She looks into the third eye atop the bird's cranium, receiving a dull blink as a response while it cocks its head.
Prying into the same crowd over again, her eyes settle on someone whose outward appearance makes a very distinct suggestion of not belonging here; blonde hair, distinctly round eyes, a unique--that is the kindest word she can think of--attire and a body language that seems less apologetic than those of Tomie's genetic cousins. "What a curious individual," she mouths to the crow, leaning in intimately near the crow's head. He snaps his beak in response, maintaining a gaze upon her just as his master does.
But unlike just about every other individual on this congregation for transportation, this particular girl's eyes seem fixed on her as if she is visible where she stands, towering above the crowd. Ever since her encounter with Aauin, the woman has been more wary of individuals with eyes shifted in her direction for longer than a few seconds.
Perhaps I should put this hypothesis to the test.
She glides through the masses, stomping defiantly through the people in her way with massive wooden shoes and flowing robes like the ghost she truly is, stealing glances from the potential pursuer before ceasing movement on the outskirts of the platform. Had she been following? Coyly, she turns to the bird again, letting him perch on her shoulder. "Yatagarasu, I think we might get company today."
// 887/887 words